About Adam
Adam P’Simer (b. 2002) is a Georgian-born composer whose work explores themes of Americanism and existentialism, with a particular focus on the inner workings of the human mind and soul alongside the quiet beauty of the natural world. His music often seeks to balance emotional introspection with bold, evocative sound worlds, drawing listeners into deeply personal yet broadly resonant experiences.
Adam received his Bachelor of Arts in Music from the University of North Texas College of Music, where he studied composition under Dr. Sungji Hong, Dr. Kirsten Soriano, Dr. Panayiotis Kokoras, Dr. Andrew May, and acclaimed film composer Bruce Broughton. During his time at UNT, he developed a strong compositional voice through extensive performance opportunities and collaboration with fellow musicians.
His works have been featured in numerous performances and readings, including two readings by the University of North Texas Symphony Orchestra and performances by the UNT Wind Ensemble. These opportunities allowed Adam to explore large-scale forms and orchestration while refining his expressive and technical approach to ensemble writing.
Adam primarily composes for orchestra, wind ensemble, chamber ensembles, and solo piano. In addition to concert music, he has recently expanded into media composition, writing the electronic score for the horror-thriller film Blood, where he explored texture, atmosphere, and psychological tension through electronic sound design.
Adam received his Bachelor of Arts in Music from the University of North Texas College of Music, where he studied composition under Dr. Sungji Hong, Dr. Kirsten Soriano, Dr. Panayiotis Kokoras, Dr. Andrew May, and acclaimed film composer Bruce Broughton. During his time at UNT, he developed a strong compositional voice through extensive performance opportunities and collaboration with fellow musicians.
His works have been featured in numerous performances and readings, including two readings by the University of North Texas Symphony Orchestra and performances by the UNT Wind Ensemble. These opportunities allowed Adam to explore large-scale forms and orchestration while refining his expressive and technical approach to ensemble writing.
Adam primarily composes for orchestra, wind ensemble, chamber ensembles, and solo piano. In addition to concert music, he has recently expanded into media composition, writing the electronic score for the horror-thriller film Blood, where he explored texture, atmosphere, and psychological tension through electronic sound design.